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´fine by Me.
i'll just watch more You↕Tube, and Pr0ns, in lieu of the Tee↕Vee, until muther↕fuckers get their shit back together again.
it sucks, though, that apparently the Alliance of Motion Picture and Television Producers is so fucking greedy It doesn't even want to give what seems to be just a nominal share of non-traditional_media-profits to the individuals that make The Shit possible in the first place.
l.o.l.
do you realize what an average production would look like if there were no words for an actor to recite or ... a set of Actions scripted for this actor to execute?
it.. ..it would just be a n***er standing around staring blankly, into the camera; looking down to the floor; or, miscellaneously, picking in his Nose, and shit; if you want to get technical about it, that person really would be limited to doing either That, or, exhibiting actions/reactions that are involuntary: an actress, herself, can easily be classified as a writer, even for making up things on The Spot, "unscripted" ─ once she meets That Condition, she is essentially functioning under the capacity of a writer ── albeït a writer who is composing material just for herself in her head ─── setting-up the bases and guidelines for what she(, and, by extension, possibly her cohorts,) does and says specifically for the audience's Intake/Enjoyment.
now, This, of course, is not the same thing as what goes on with true-Reality Programming, where the expectation is that, for the most part,──if not entirely,──nothing may scripted/rehearsed/planned for on-air use for the people you're watching [by a {third-party}]: meaning, no person, who will not be getting filmed, will be getting paid to advise a person on what to do/say: for, once that person makes such directives that the People You Watch are to follow, he must be considered a script-crafter.
(this is how you get to be a writer/director, by-the-by ─ when you have a vision that is so complete, you can not only put It to paper but are also able to orchestrate how It should play out, visually.)
i believe the same thing may be applied to Documentaries..
..the subjects may pre-plan what They want to say to us, but, the autologue generally is limited to Self; not including The Mockumentary, you can't really make up Facts.. ..´just how you choose to present these facts for our consideration.
/digress
what galls me is the fact that there are still actually people who just don't get what the Writers are trying to fight for; ´not a lick of Empathy from the fuckers.
(from what i've observed, the lack of {or unwillingness to employ} Empathy is one of the other main causes of Human Strife.)
to say something like them writers is jus` bein' greedy ´cause they already git paid enuff az It iz is, frankly, fuckin' ignorant and appalling.
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(writers are to Actors as teachers/Law Enforcement Agents/housekeeping staff/house↕-wives/-husbands are to, uh.. ..[successful] Actors/Base↕Ball- & Foot↕Ball-players/CEOs:ridiculously-/disproportionately-overpaid fuckers.
income-wise.
credit-wise.)
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as if you wouldn't be saying the exact-same-thing They are: when you realize that someone is still making money from off'n somethin' you had a pivotal role in crafting....but They're not letting you share in the proceeds, (no matter how negligible)...
...presumably, you will propose undertaking some Corrective Actions to fix this over↕sight, yourself.
no matter where your work is being exhibited.
it would be like the Host/Coördinator taking all accolades & kudos given by the people at a Banquet for the food that was served there ... especially when he had lain nary a Finger upon anything in the prep-area: not even the Dijon Ketchup; and then continues to shamelessly accept future benefits of that successful outing without properly-distributing that shit to all those fuckers who were Behind The Scenes.
as a chef, you're not going to ask for every penny generated by the event..
..but, certainly, you will want that Fair Share from it; if the host decides to replicate one of your recipes, for example, i believe you'd be the first to remind Her, hey now, just make sure you tell these people where you got that Tasty Idea from in the first place!.
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even if writers, individually, get paid a total of A Million Dollars-per-exhibition_of_Work on Television and Theatre Showings, well, let them get paid a few ten-thousands more, if the other players are getting an extra hundred-thousand dollars from the "alternative media"; if you experience Cognitive Dissonance for being paid what you feel is too much for a contribution you believe is seemingly miniscule in importance/exertion, just donate that excess to A Worthy Cause, and don't seek a Tax Write-off for that sum↕bitch.
a matter that should be easy to fix isn't being handled as such.
i'm really not seeing what the problem is ─ if my r'c`lection works properly, a disturbing number of these [successful] [Actors] don't know what to do with all the [millions] they have been paid, anyway: so, why not just redirect 7-10% from the total earnings to the writers, huh? if Shit was good enough, everyone else will still be able to take home a nice pay↕check, at the end of The Work Day.
right?
